My artistic process is deeply rooted in exploring the possibilities offered by artificial intelligence. I use this tool not as a simple image-generating machine, but as a true creative partner. Each work begins with an idea, an inner vision often linked to universal themes such as memory, the body, nature, or human fragility. I then explore these concepts by formulating "dialogues" with the algorithm, refining, testing, and provoking errors and digital accidents which in my view become poetic revelations.

Once the image is generated I continue the in-depth work with a tool I developed myself with comfyui: a blankscaler. This tool allows me to restore materiality to my works by increasing the resolution while preserving texture and subtleties of the image. Unlike traditional upscalers which smooth and standardize my approach aims to preserve the imperfection, grain and the soul of my original creations.

This process allows me to navigate between several worlds: chance and calculation, the organic and the digital, the fragility of the flower and the rigidity of the bone. For me, AI is a tool for exploring the collective subconscious, and the upscaler I designed comes as a craftsmanship in an automated universe. This is a way of reintroducing the human into the algorithmic flow.

My art is born from a constant back-and-forth: I feed the AI ​​with my intuitions and visual references, I harvest what it suggests, then I rework, refine, and digitally sculpt. This process between machine and human hand is at the heart of my approach: a new form of craftsmanship in the digital age.

I am a French artist who explores the encounter between humans, nature and digital technology through my creations.

My work is rooted in the idea that contemporary art should reflect the tensions but also the harmonies between our inner world and our environment. In my works I like to subvert scientific visual codes to transform them into poetic feelings. The skeleton becomes a fragile piece of architecture and the mind, a fertile ground where flowers bloom. I always begins with a conceptual idea. I draw on references ranging from surrealist art to analog collages, experimental photography, and digital design. A significant part of my inspiration comes from nature. Its ability to regenerate, surprise, and reinvent itself has always fascinated me, but there are also science and technology, which allow me to look at things from a new perspective.

I chose the blockchain because it allows me to place my works in a new temporality, to reach a global audience, and also to have a transparent record.

Digital technology isn't just a medium; it's also a living material that allows me to play with the idea of ​​memory and eternity. Each piece is conceived as a contemporary relic somewhere between organic and virtual.